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Initially creating in sterling silver for its forgiving properties, in recent years I have added the challenges of working in 14k and 22k gold, vitreous enamels and nickel. Within these metals, I explore techniques of granulation, cloisonné, and married metal. No pieces are cast, but created by hand from raw materials, ensuring that each piece carries with it a unique fingerprint and human quality unachievable my mass production techniques. Vitreous enamels, granulation and married metal techniques allow me to add color and texture to my pieces on an individual basis. With the married metal work nickel surfaces gain their patina from torch firing which allows for the formation of distinctive colors. The result is an organic appearance, similar to leather or rust. I create my own original cloisonné patterns individually and use unleaded enamels for color. I particularly like the stark contrast achieved using bright colors against a dark background, which is reminiscent of the mod prints of the 1960s. The addition of 14k and 22k gold in my work adds richness not achieved by sterling silver alone. By combining the two metals, I can create a warm and cool palette in one piece. I began metalsmithing in 2002, working primarily in sterling and fine silver. In the spring of 2004, enamels and granulation were added to my existing lines after I began working with nationally known enamel artist Sarah Perkins. The current collection includes pieces constructed using cloisonné, granulation, and high-carat gold. I am a graduate of Drury University with a Bachelor of Art degree in Communication and have 14 years of graphic design experience. A lifelong resident of Springfield, MO, I am an active member of the Springfield Chamber of Commerce and volunteer my time to organizations like the Discovery Center. Red Bee Designs
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